Where you're doing melodies, you're also using a bunch of chord scales and everything like that. When you're writing or arranging, you're using chord scales, and chord, and tensions, and all of those things you learn at harmony. because when you're improvising, you're using chord scales, which you learn in harmony. But when you learned harmony, you pretty much learned how to speak music. > Without the harmony, I don't know what I'm doing with the chords, I don't know what I'm doing when I'm putting different harmonies for the different instruments. Just having the harmony, that's the vocabulary or the foundation of everything that's going on. As far as harmony goes, again, it helps to have the ear to recognize the harmony that we've learned about or whatever. You're able to improvise better because you understand the harmony that's happening. If your ear's trained, if you're able to identify what is going on, then you're in a position to fix things or make things better. That's when you're in rehearsal, when you're on the gig, anywhere. With the ear training thing, that's great because ear training is practical theory. > I have taken a lot of electives in the ear training and harmony department, that's been my biggest focus. And eventually become very independent, and use it in a creative way. So you have to really get the knots and bolts, like notes, and cords, and key signs, and intervals and all that stuff down so that you can start to speak the language and communicate with other musicians. And then you start to use it in different ways. You learn one thing and then it opens up another topic, and it all kind of comes together. You have to keep practicing it, you have to use it, and it builds. Samy Elgazzar, a graduate of Berklee College of Music and a successful composer, will be your Teaching Assistant (TA) for the course. Above all, the course is designed to share the joy of creating music and sharing it with others. The course culminates with an assignment that asks you to compose and perform a riff blues tune using the minor pentatonic scale. The students share their musical journey and offer advice for those wanting to study music. In addition to the video lectures, each lesson features Berklee student performances and interviews. You will also learn how to recognize the blues and AABA song forms, and write a basic chord sheet to express your song ideas. You will learn how to build chords-major and minor triads, and major and dominant seventh chords-and how to build a common chord progression-the I IV V. The course explores tonal centers and how to find the key a song is in, in addition to common time signatures such as 4/4 and 3/4. You will learn what intervals are, how to sing them, and how to find them in music. The course will teach you the major scale and minor pentatonic scale, and how they are constructed. Russell, Jr., the course includes six lessons that delve into harmony and ear training-two areas of intensive focus for every entering Berklee student. Taught by Berklee College of Music professor George W. If you have a passion for music and are curious about how it works, or if you are a musician who learned to play by ear without formal study, this course will provide you with an engaging introduction to key concepts and approaches needed to understand, create, and perform contemporary music. Learn the basic concepts and approaches needed to understand, create, and perform contemporary music.
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